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September 06, 2008

Heavy-Duty Sampling

Johannes Kreidler's "Product Placement" (above) a 33-second remix that uses 70,200 samples to create a glitch-heavy masterpiece. (I'm not sure what the criteria are for "masterpiece" in this genre, but Kreidler's clip makes Girl Talk seem like lazy muzak.) Create Digital Music has some background as well as a video of the phone call he made in his attempts to clear copyright for the samples for his work (the licensing agency requires an individual request form to be completed for each sample).

August 29, 2008

Network Paranoia

A week or two back, I noticed an oddity in the confirmation messages I get from PayPal after they've processed a funds transfer: Toward the end of the message, PayPal tells me that I can click on links in the message to see my monthly account statement. Here's a crop of what I see:

paypal.jpg

The messages are, as far as I can tell, legitimate PayPal emails--they come shortly after I actually log into PayPal and complete a transaction, and they're the only confirmation I get from PayPal that my transaction has completed. Does PayPal really think I'll click on a link URL that starts with SECURE.UNINTIALIZED.REAL.ERROR.COM? Perhaps this is some elaborate phishing scam, or PayPal checking to see how gullible is customers are. Or Apple Mail is processing the link in an odd way before displaying it. In any event, it seems to contradict all that advice PayPal and parent company eBay give users about avoiding scams.

I thought this might be a one-time thing, a bug in a server somewhere. But it's happened both times I've transferred funds in the last month. And I haven't, obviously, clicked that link. Ever.

August 25, 2008

Infoviz Art

Check out Slate's slideshow (with commentary), Infoviz Art:

Display an unwieldy mass of data in clever visual form and you may gain über-insight into questions you hadn't yet put into words. That is the promise of information visualization, infoviz for short. The field has long helped scientists, engineers, and businesspeople see the unseen as it emerges from complex data: Users may spot promising molecules for pharmaceutical testing, for instance, or pinpoint glitches in a supply chain. As infoviz has matured, it has also caught fire as an art form, its center of gravity edging further from the pragmatic and closer to the expressive or the whimsically profound.

[via Fimoculous.com]

August 24, 2008

Typographic Zen

Web Zen this week covers typographic zen: the helvetica vs. arial videogame, typographic animations set to Dylan and Zeppelin tunes, Cooper Black: Behind the Typeface (a short documentary on Oz Cooper), and more.

August 21, 2008

Flickr Group: Great Diagrams

John Curran's Great Diagrams in Anthropology, Linguistics, & Social Theory Flickr group is interesting browsing. Appears to mostly be clipped from a wide variety of sources (a Far Side cartoon about anthropologists, the much-reproduced Post Modern Toasties, a model of face-work based on Goffman, etc.).

Pencil: A Mockup Plugin for Firefox

pencil.jpg

Pencil is an open source (GPL v2) sketching/mockup/prototyping environment that works as a plug-in for Firefox 3. Includes stencils (standard or custom), on-screen text editing, alignments, drop-in import of image and text, and image export for finished sketches (which, when combined with simple imagemaps, would make it a useful tool for generating interactive mockups).

August 18, 2008

When the World Was Cool

Society in Decline has a great Flickr set on old commercial signage, which might be used as evidence supporting Aaron Draplin's [nsfw] rant on contemporary graphic design

Sound Design: Short Index of Online Resources

W. Brett Latta at Create Digital Music overviews fifteen web-based resources for learning about sound design: Sections on fundamentals, sound for film, sound for games, and communities/lists.

[via createdigitalmusic.com]

August 13, 2008

Live! Nude! MacBook Pro!

Breaking It Down

For about six months, shortly after a quick cycle of hard drive upgrades, the keyboard and trackpad on my MacBook Pro have occasionally frozen. Last spring I backed it up and erased the hard drive, took it apart, checked all the connections, and restored everything. No luck. The lockups were getting worse, until last week it would sometimes freeze up through reboots seven or eight times before it'd boot in workable shape. Then I wiped the hard drive and rather than just restore the full drive from backup, I installed a new version of the system and only copied over the Documents folder, then went through the twenty-hour process of resinstalling programs from scratch, on the off-chance that there was a scrozzed prefs file somewhere.

No luck. So yesterday I wiped the hard drive again, reinstalled the OS from the install DVD, and today took out the forty-some tiny screws and re-seated all the connections. So far so good. But if that doesn't work, we're looking at using a hammer.

August 04, 2008

Legibility as a matter of perspective

Apparently using only paint and careful design, Axel Peemöller designed carpark signage that looks amazingly distorted and illegible—except for at specific vantage points, when large, colored letters spelling directions such as "In" and "Up" stand out like huge holograms for drivers.

[via Daring Fireball]

Ambient Lapse

Kyle McDonald at MIT has created a bunch of interesting audio/video/music Processing apps, including the Ambient Lapse program shown above (which uses both Processing and SoundStretch).

"Ambient Lapse" is a simple technique for capturing the ambiance of spaces, especially their color and spectral characteristics. It operates on a principle similar to long-exposure time-lapse, but allows exposures to overlap. Instead of producing momentary bursts of specific images, individual objects and well-defined perspectives, we're given vague impressions.

[via createdigitalmusic.com]

August 01, 2008

Color Design as Narrative Device: 101 Dalmations

AnaimationExpressions on color design in 101 Dalmatians, in what's projected as the first of an extensive series. (Disney, I think, is where I learned most of what I know about color design.)

July 30, 2008

Book Repair

A Simple Book Repair Manual. If you're like me, you have a lot of books, some of which are (a) not easily replaceable and (b) in various states of disrepair. (If you're actually like me, you have other issues as well, but we won't go into them at this point.)

[via Lifehacker]

July 24, 2008

Silverback: Guerilla Usability Testing on the Mac

Clearleft's Silverback is $49.95 software for the Mac that does screen recording augmented with screen capture for guerilla usability testing. Uses the small Apple remote that came with your Macbook for adding a chapter markers on the fly. There's a thirty-day free trial version available. Features include changing location, size, and transparency of inset video, tracking click locations on screen, and more. (You can also turn off the inset video, which lets Silverback double as a simple app for creating screencasts.)

The program lacks the advanced features you might find in spendier products like Morae—there's no built-in video editing (use iMovie) and no stats tracking, but for quick, on-location work, it's definitely worth $49.95.

Ten percent of profits from registered copies goes to the Save the Gorillas campaign. ("Silverback," "Guerilla usability testing," "Save the Gorillas." Get it?)

Update: Hicksdesign, which created the Silverback icon, posted a series of design sketches showing how the icon evolved from basic concept through hand sketches to final design.

[via Daring Fireball]

July 23, 2008

Design Novices vs Experts

Noise Between Stations summarizes (and links to) some research on two practices that separate design experts from novices. Experts tend to problem solve top-down/breadth-first and they reframe difficult problems while novices don't.

Obviously, a novice consciously deciding to switch those two behaviors won't automatically make themselves an expert designer. Both expert practices, for example, probably rely on having a rich repertoire of strategies, skills, and experience. But if nothing else, it suggests things that novices might consciously work toward. (I say all this without having looked at the articles referenced. Hey--breadth first.)

[via Vol. 2: design-management.de]

July 22, 2008

Font Conference

Do you sit around idly wondering what it would be like if fonts gathered as a group to vote on membership to some weird, UN-style council? Then this is the video for you. Sort of predictable (Arial Narrow is ethnocentric; Ransom is holding Courier as hostage; Old English is, well, you get it) but still funny. If you're a font geek.

[via Typophile]

Instruments and Playable Text

Stuart Moulthrop guest edits the Iowa Review Web's issue on Instruments and Playable Text:

Judy Malloy, "Concerto for Narrative Data

John Cayley, "riverIsland QT"

Nick Montfort, "The Purpling"

Shawn Rider, "So Random" and "PiTP"

Elizabeth Knipe, "activeReader"

Stuart Moulthrop, "Under Language"

[via Mark Bernstein]

July 21, 2008

"Fail Fast": Prototyping at Pixar

Michael B. Johnson of Pixar, interviewed by Peter Merholz:

The important take-home point, though, is that Pixar loves their films so much, we make them twice :-).

[...] We’d much rather fail with a bunch of sketches that we did (relatively) quickly and cheaply, than once we’ve modeled, rigged, shaded, animated, and lit the film. “Fail fast,” that’s the mantra. With a team of 10-20 people (director, story artists, editorial staff, production designer and artists, and skeleton production management) you can make, remake, and remake again a movie that once it hits 3D will take an order of magnitude more people to execute. The complexity of the task does not ramp up linearly.

Building things and then taking them apart isn't an error; it's a design strategy. "Measure twice, cut once" is fine when you're sawing a sheet of plywood, but it's a limiting strategy with virtual tools. Find an environment that lets you fail fast.

[via Daring Fireball]

Delia Derbyshire Tapes

BBC News has a short piece—with some audio samples—on a cache of 267 audiotapes made in the 1960s and 1970s by Delia Derbyshire, an early BBC Radiophonic Workshop member and electronic audio pioneer who, among other things, created the theme music for Doctor Who (from a score composed by Ron Grainer). The Doctor Who theme is among the more conventional things the Radiophonic Workshop did; these people were seriously ahead of their time. (According to the archivist working with the tapes, Derbyshire "got a bit disheartened and a bit bored with it all when the synthesizer came along and it all became a little too easy.")

The also BBC has a brief page covering Alchemists of Sound, a BBC TV documentary about the Radiophonic Workshop (including some free clips); Sound on Sound ran an extensive piece on the group, although you can only read the first few thousand words before you're asked to pay for a PDF. (Worth the 99 pence if you're interested—I read the piece in print a couple of months ago.)

July 20, 2008

Twitter as Surveillance

Stuart forwarded me this Twitter notification:

Hi, Stuart Selber.

State College Police (StateCollegePD) is now following your updates on Twitter.

Check out State College Police's profile here:

http://twitter.com/StateCollegePD

You may follow State College Police as well by clicking on the "follow" button.

Best,
Twitter

StateCollegePD's twitter feed is actually an interesting idea, despite how ominous Twitter's boilerplate email makes it sound. The PD are using the feed for snow emergency notifications, Penn State football traffic alerts, and other things. I'm not sure how tracking Stuart's writing and reviewing schedule fits into that, but I guess they're just being engaged members of the community.

Chris Marker Weblog

Chris Marker: Note from the Era of Imperfect Memory (a weblog and website).

Chrismarker.org is an randomly-compiled, taxonomically naive and hopefully useful archive of ruminations, bibliographic & filmographic notations, untimely meditations, mnemonic minutiae and other glosses on the cinematic, written, photographic and multimedia work of world-citizen & time-traveler Chris Marker.

We welcome contributions in short article form from the global village that Marker helped to map. We also welcome Chris Marker news, links, memorabilia, aphorisms, quotations, images and stray insights. Contributions from animals are welcome too, of course, including but not limited to cats, owls, giraffes, emus and elephants (слоны).

[via Ballardian]

July 19, 2008

Surveillance

surveillancesaver.jpg

SurveillanceSaver for OS X and Windows screensaver that pulls images from 400+ networked surveillance cameras around the world. The programmers call it a "haunting live soap opera." Creative Commons licensed.

[via things magazine]

Translating Reality: Copyediting Quotes from the Web

Virginia Heffernan at the NYT takes on the difficult issue of quoting casual web texts in more formal publications like the New York Times.

Consider another example. To show that Web users are curious about human reproduction, I might quote kavya on Yahoo Answers, word for word: “How is babby formed? How girl get pragnent?”

But that makes kavya look like an idiot. Readers might miss the sweet earnestness of his question. Maybe he (or she) is 7 or a native speaker of Hungarian. I should cut the kid a typographical break; that’s not an easy question to ask. The cockamamie diction and syntax of Internet English is, possibly, only incidental to his inquiry. A reporter could paraphrase or revise his question — “How is a baby formed?” — lest readers get blinded to the intent of the question by moronizing typos.

But “How is babby formed?” is funny. And who wants to deny readers a chance to laugh and to get the full flavor of Internet-culture wackiness? It’s flat-out lying to pretend that everyone (or anyone) spells well online.

This is something you've run into if you write about the Web much: Do you preserve spelling errors? Do you correct them in brackets? Do you just paraphrase? When and why? It all comes down to (predictably) rhetorical purpose, tempered by maintaining the validity of your data. As Times editor Daniel Okrent says in Heffernan's piece, we've struggled with this issue for a long time in terms of quoting verbal statements (do you spell out accents to give readers the flavor? do you preserve the "and ... uh ... um"?), and there aren't simple answers. (Not a direct quote.)

[via Fimoculous.com]

xkcd channels Sokal

litcrit-comic.jpg

Check this xkcd on posturing and grad student susceptibility by discipline. Written (obviously) from a science/engineering perspective, but, yeah, I see the point (and have been that grad student). (And, yeah, I've way exceeded xkcd's estimate.)

[via Benny]

July 18, 2008

Making Faces: Typographer Documentary

YouTube (obviously) has the trailer for Making Faces, a documentary on typographer Joe Rimmer.

[via P22]

July 12, 2008

Collaborative Editing

Wikipedia has a Lamest Edit Wars page.

Back in the good old days, people would settle this sort of thing with a gunfight; now they do it by toying with an encyclopedia. Truly, the Wikipedia outlook has changed the way things get done. It has changed them from actually getting done to never getting done. On the other hand, nobody gets shot.

[via Fimoculous.com]

July 11, 2008

How Designers Work

Time-lapse video of Matt Willey laying out an article for Royal Academy magazine, trying out different options as he goes. This would be even better if (a) it had a voiceover explaining Willey's decision processes and (b), as Kottke says, if it were on Vimeo or some other site that had better video ("... sometimes YouTube is like watching a UHF station from 200 miles away with the rabbit ears positioned just so").

Still, cool.

[via kottke.org]

July 09, 2008

Backstage with Type Designers

djurek.gif

The Man in Blue asked several type designers to send him samples of their own handwriting. Above is a sample from Nikola Djurek, along with two of his fonts.

[via Drawn!]

July 08, 2008

Style in Technical Documentation

shuresm7a.jpg

I'm testing out a Shure SM7A microphone (great so far), so I downloaded the product manual from Shure's website. This section reads like something out of Monty Python:

ARCHITECTS’ SPECIFICATIONS

The microphone shall be a moving coil (dynamic) type with a frequency response of 50 to 20,000 Hz. The unit shall have a cardioid polar characteristic. The cancellation at the sides shall be approximately 6 dB and the cancellation at the rear shall be 15 to 20 dB. The microphone shall be low impedance with a rated impedance of 150 ohms for connection to microphone inputs rated at 19 to 300 ohms. The microphone output shall be –57.0 dB where 0 dB = 1 milliwatt per Pascal.

The microphone shall have two switches for controlling the frequency response. The first switch is a Bass Rolloff selector switch. One position of this switch provides a flat low frequency response and the second position provides a gradual low frequency rolloff. The second switch is the Mid-Range Emphasis (presence boost) switch. One position of this switch provides a flat mid-range frequency response and the second position raises the level of the mid-range frequency response. The microphone shall be equipped with an integral swivel assembly suitable for mounting on a stand with a 5/8 in-27 thread.

The overall dimensions shall be 189.7 mm (7.469 in.) in length, 148 mm (5.812 in.) in height, and 96 mm (3.775 in.) in width. The weight of the microphone shall be 765.4 g (1 lb., 11 oz.)

The microphone shall be the Shure Model SM7A or equivalent.

I don't usually read mic spec sheets, so maybe all microphone spec sheets have this odd, declamatory tone to them. (Or maybe most mic spec sheets don't include the product engineer's specs statement—the rest of the manual is traditional user product guide-speak.)

[Note: I was making a spam comment sweet and right after I clicked the "Delete" button, I realized I'd deleted a legitimate comment on this post. Sorry about that.

June 30, 2008

Patent as Strategy

CNET summarizes and links to a WSJ report [sub req'd] on Allied Security Trust, a consortium that includes Cisco, Verizon, HP, and more, which is buying patents as a strategy to protect their own patents. Allied claims they're doing this as a strategy to protect against patent trolls [wikipedia], who themselves purchase patents in order to launch legal proceedings against companies they claim are infringing on their (purchased) patents.

Makes your head sort of hurt, doesn't it? On the order of the Crimson Permanent Assurance?

[via CNET News.com]

June 26, 2008

Applications on Paper

Deeplinking has paper sketches of early plans for sites and applications, including Flickr, Vimeo, Twitter (above), and more.

[via boing boing]

June 24, 2008

Microsoft Releases Mac Office 2004 Open XML Converters

If you've been dealing with the hassle of opening Microsoft Office 2007 (Windows) or 2008 (Mac) in your older, Mac 2004 version of Office, Microsoft has finally released the free converters you need to open those files.

As c|net points out, the side effect of Microsoft dragging their feet on this likely relates to the fact that they'd rather you upgraded to a new version of Office rather than continue to use your old one. I upgraded last year primarily so I could stop emailing people to ask them to re-save their documents in a compatible format, but I can't say there's any other feature of Office 2008 that I thought was worth upgrading for. (I've started working as much as possible in Pages, InDesign, or Dreamweaver, then sending people PDFs or URLs unless they need to edit rather than just read/comment, in which case I have to resort to Office. Luckily, that's not a common occurrence since my inability to play well with others means I don't collaborate very often.)

[via CNET News.com]

June 21, 2008

A Day in Brands

janes-day-in-logos.jpg

The ad industry weblog Dear Jane Sample tracks a Typical Friday in Brands of one consumer (herself), displayed as logos over time. What's striking about this (like the 24-hour media diaries I sometimes ask mass media students to keep) is not how large the diaries are—and they are large—but the fact that these diaries are extremely incomplete in most cases—it'd be nearly impossible to actually get through a productive day while still tracking all of the mass media or branded products one interacts with. (The comments to the original post include links to some followup timelines by readers.)

[via things magazine]

Nostalgia

Gas Pumps

In the last month, several people have looked at this image and commented not on the striking colors or arty, degraded reproduction aesthetic of Holga photography, but on the price listed on the gas pumps. They have a point.

June 20, 2008

Communication

Don't confuse legibility with communication.

—David Carson in Helvetica

AP, Fair Use, Weblogs

Robert Cox at the Media Bloggers Association has some interesting backstory on the whole Associated Press/Drudge Retort issue. Which is apparently a lot complicated than either the AP or the Drudge Retort (or anyone else) have portrayed it so far.

So, Drudge Retort got on AP's radar due to the posting of entire articles with exact headlines which all parties agreed constituted copyright violations two months BEFORE the most recent spate of DMCA Take Down Notices. Technically, Drudge Retort got onto AP's radar because those posts were flagged by software used by AP called Attributor. This is a data mining spider similar to the bots and web indexers used by search engines; content companies can use it to track the use of their content on the web. It is very important that people understand this because it makes clear that the AP is not on some wild rampage through the blogosphere, lawyering up to to go after every blogger who quotes an AP story in any way. Yet that is how this story has been portrayed including by a lot of people who should know better but are having too much fun bashing AP.

[via http://www.thepomoblog.com]

June 03, 2008

How IT Thinks About Users

From a ComputerWorld article discussing Apple's plans to make v 2.0 of iPhone conform to corporate IT needs:

"I have nothing against iPhone. It's great," says Manjit Singh, CIO at Chiquita Brands International Inc. "But we're a BlackBerry shop, and I don't think iPhone brings anything new to the table. It has a great user experience, but that's all."

Which sort of says it all. (To be fair, other IT analysts quoted in the article are a little more user oriented.)

[via Daring Fireball]

May 31, 2008

Error Messages

error.gif

Hey, thanks. This was after an initial round with a registration form on the same site that told me that my registration info--for setting up a new, free account to view articles on the site--was incorrect because I hadn't entered a valid email address. There was nothing on the form requesting an email address. The phrase "email address" didn't even appear on the form. So I took a wild guess and went back and entered an email address in the field simply titled "user name". Then I got the error message above. Then I gave up.

May 29, 2008

Elegance in Design

At the Google I/O conference, Marissa Mayer, VP for search products and user experience at Google, discussed how the company A/B tests different page weights, layouts, and other site design features on their live site to see their effects on users. But what I thought was amusing was this tidbit about one of Google's most discussed design features:

Mayer oversaw much of Google's design, but the sparse start page wasn't her doing and wasn't even part of a plan, she said. Instead, it was the design of co-founder Sergey Brin.

Why so minimalist, she wondered? Sergey's response: "We didn't have a Webmaster, and I don't do HTML."

(More at Stephanie Shankland's c|net report, quoted above.)

May 28, 2008

Knowledge

If you're like me (god forbid), you frequently hear poll results about public opinion and are alarmed by the number of people who seem out of step with, I don't know what to call it, common sense? Then I remind myself about ideological structures and the variety of belief and decide I'm just being dogmatic. Then I see things like this Gallup poll on American's General Knowledge Levels. Ben Smith noted (among other things) this item from the survey:

As far as you know, does the earth revolve around the sun, or does the sun revolve around the earth?

Earth revolves around the sun: 79%
Sun revolves around the earth: 18
No opinion: 3

Then I'm back to where I started. I can't decide if the "Sun revolves around the earth" or "No opinion" are more difficult to grok. Who answers this question "No opinion"?

[via Crooks and Liars]

May 27, 2008

Sonic Camera


Sonic Camera from dimitre on Vimeo.

Sonic Camera, a Processing program.

[via Everyone Forever]

May 21, 2008

That's Not a Bug, It's a Feature

Tim Barker's "Error, the Unforseen, and the Emergent: The Error and Interactive Media Art" discusses (as you can probably guess from that title) the productive role of glitches in interactive media:

Rather than thinking of an event as the process by which preformed or preconceived possible information becomes realised, we can only think of an error as coming into being as the unformed and the unforeseen potential is actualised. This potential emerges from unique activities that occur in the process of a system. These unique activities open the system so that unforeseen information may emerge (DeLanda, Intensive Science and Virtual Philosophy 36-37). If a system runs through its process without the potential for error it is essentially closed. It does not allow the potentiality of the emergent or the unforeseen. It is only through allowing the capacity for potential errors that we may provide the opportunity to think the unthought, to become-other, and to hence initiate further unforeseen becomings in the virtual (Rodowick 201). In a sense, when there is potential for an error to emerge in a system, the system cannot be regarded as a pre-formed linear progress; rather, it can only be thought as a divergent process that actualises elements of the virtual.

[via Remix Theory]

May 20, 2008

Five Themes for Interaction Design

Dan Saffer points to a slightly old but still very useful-looking paper about embodied interaction design and re-thinking the current, relatively thin approach to how people interact with computers (and other work technologies/environments): "How Bodies Matter: Five Themes for Interaction Design" [pdf]. Here's a summary from the article's introduction:

This paper presents five themes that we believe are particularly salient for designing and evaluating interactive systems. The first, thinking through doing, describes how thought (mind) and action (body) are deeply integrated and how they co-produce learning and reasoning. The second, performance, describes the rich actions our bodies are capable of, and how physical action can be both faster and more nuanced than symbolic cognition. The first two themes primarily address individual corporeality; the next two are primarily concerned with the social affordances. Visibility describes the role of artifacts in collaboration and cooperation. Risk explores how the uncertainty and risk of physical co-presence shapes interpersonal and human-computer interactions. The final theme, thickness of practice, suggests that because the pursuit of digital verisimilitude is more difficult than it might seem, embodied interaction is a more prudent path.

[via O Danny Boy]

May 16, 2008

The First Phone Book

Christies is auctioning the first-ever telephone book: The Telephone Directory, Vol. 1, No. 1, for New Haven, Connecticut, November 1878.

The instructions provided in the Directory for correct use of the telephone, the first such directions ever published, include much sound advice: "Never take the Telephone off the hook unless you wish to use it....Should you wish to speak to another subscriber... you should...commence the conversation by saying 'Hulloa!' When you are done talking, say 'That is all!', and the person spoken to should say 'O.K.' ... While talking, always speak slow and distinct, and let the telephone rest lightly against your upper lip, leaving the lower lip and the jaw free..." The push button phone bore slightly different requirements: "After speaking, transfer the telephone from the mount to the ear very promptly ... When replying to a communication from another, do not speak too promptly ... Much trouble ensues from both parties speaking at the same time.... No subscriber will be allowed to use the wire for more than three minutes at a time, or more than twice in an hour, without first obtaining permission from the main office... Any person using profane or otherwise improper langauge, should be reported at this office immediately." (pp. 4-5).

[via Gizmodo]

May 15, 2008

The Day There Was No News

(no comment)

[via pretty much everywhere]

May 14, 2008

Hacking Text

Mark Bernstein provides a short, illuminating little account of why symbolic-analytic work relies heavily on (a) knowing your work environment, (b) being able to hack together tools on the fly, and (c) situating both of those into a broader rhetorical purpose. Here's one part, while he's trying to set up a method for assigning reviewers to proposals for WikiSym 2008:

OK. I could scrap the screen, parse it in ruby, dump the result to xml, and get the xml into Tinderbox. But that's a bother.

Instead, I copied the text from Safari to BBEdit, quickly turned it into a tab-delimited file, and pasted it into Numbers. In Numbers, I rearranged the columns so the first column was the title of the paper. Then, I copied the table from Numbers and pasted in Tinderbox, Voila!

  • I get a note for each paper
  • The note title is the paper title
  • I also get new user attributes, already populated, that tell me
    • the paper's identification number
    • its author's name
    • its length in pages

So far, so good! I made new new prototype Paper, and assigned all the papers to use this prototype.

Next, I wanted to distinguish short papers. I added a rule to the prototype:

Rule: if($pages<6){BorderColor=white;} else {BorderColor=black}

Now, short papers have white borders.

The promise of computers was always that they made things easy. And they do, but not always the way a banner ad or 30-second commercial might suggest. Would it be easier to have simply done this work in Excel (or Numbers)? Only if you defined "easier" so that it reduced the problem space to the point that it left out important variables. So in cases like this (as with much symbolic-analytic work), programs like Tinderbox (and the slew of other programs present in Bernstein's workspace) make things "easier" by making them possible at all. So on one hand, doing the things that Bernstein is doing here look amazingly complex to someone without Bernstein's particular set of expertises. But gaining those types of expertise is absolutely crucial for someone who works with data in complex rhetorical contexts. It's not that what Bernstein describes is easy—it's just easier than the other available options for the same problem space.

[via Mark Bernstein]